An Open-Hearted Manifesto

I believe that good design is not exclusive. High-quality design and architecture is for everyone, and possible for everyone - not just the elite. Good architecture honors the dignity and value of all life, and the contribution of each individual to a larger culture.

I believe that for a building to be Architecture, it must have an artistic quality, it must be uplifting to the spirit, and it must contribute in some way to the social good. Louis Kahn said, “I think every building must have a sacred place”. In this way, all Architecture is a part of the spiritual web of the universe. At it’s best, Architecture can be a lens to focus our connection to the broader world, our interconnectedness as beings, and our place in the universe.

At this critical moment in history, all new buildings and construction must be working towards healing and regenerating the planet, in all ways possible. Designs that add to the world instead of depleting it are not just possible, but are the highest goal to strive for.

I believe that there is no separation between man and natural systems, and that we are all deeply connected to each other. What is good for one of us is good for us all. Buddhists believe if you want to change the world, start with one heart; if you can make a change to a small piece it affects a change in the whole.

I believe that less is better, that objects can be right-sized to their use, and that minimalism is a way of life, not just a look. 

I value experiences - the perception and senses that elevate everyday human lives. The experience of architecture, the relationship of humans to spaces, is at the core of good design.

I believe good design is an act of hospitality, of anticipating and taking care of the needs of the users. Charles and Ray Eames viewed the creation of good design as being a good host. And in this way, a well designed piece of architecture will invite one in and through, and take care of not only the functional needs of the occupants, but their emotional and spiritual needs as well.

I believe that materials and forms should be honest about their origin, composition, age, and method of construction. This honesty in materials and spaces is intrinsically connected to creating architecture that will have lasting value. Clarity in forms and materials enhances our perception of place, form, light, environment, etc. Honesty in architecture makes inhabitants feel safe and secure.

I believe that creativity, and thus design, is emergent, arising from circumstances and people that gather to create. Architectural form is emergent in the same way - it is intrinsically an expression of its time and place, and arises from people, context, use, available resources, and culture.

Architecture’s highest good is in engaging with and working to lead our culture at large. I believe that design can have a great impact on culture if it is relevant to cultural problems, and that design is not separate from the broader culture. At this point in history, Architecture and architects have given up our leading role in creating the vision for an optimistic future. My dream is that our profession will be able to crack communication in popular culture, and work within it to shape and change our world for the better.